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E-Journal of Nathanlie Eoghan Steward October 11, 2018 “GHOSTS” – Part VII

The american comedian Roscoe (Fatty) Arbuckle (Photo by Imagno/Getty Images) Der amerikanische Komiker Roscoe (Fatty) Arbuckle. Um 1932. Photographie.

In that same moment, Roscoe turns to me and says, “I’d be honored if you would. But with one condition!” He then points to the cannisters still in my hands, “Start with that one!”

I look up at him and ask, “Why this one?”

“Hey, I went to a lot of trouble to finish that one,” he explains, “And your time to shine has been way overdue, pal.”

“No one’s going to see me,” I point out, “That’s why we had to scrap the whole idea of making more movies together, remember?”

“Yeah, but today’s technology can capture your image,” he grins back, “And I know you’ve already made a couple of appearances in those Hallmark and Lifetime adaptations of your work. Don’t be afraid to do some more. Show ‘em what me, Al, Mae, the Marx Brothers and the rest taught you! And have a blast, while you’re doing it! Remember. I’ll be in the audience cheering you on with Lisa, Otto and the rest of that big old extended family you got.”

Looking at that big, huge smile on his face, along with Lisa beaming at me, there’s no way I can say no. So, I don’t.

“All right,” I concede. “But I have to know one thing. HOW, can you be here? You don’t have any unfinished business, do you? I mean if you do, I’ll do everything…” but he’s already shaking his head.

“It’s nothing like that,” he chuckles, “You just don’t know your own strength.”

Once again, I find myself shaking my head. “How do you mean?”

“Do you remember how you had to put the bite on me that one time to save my life when those thugs tried to burn down the theater with everyone in it?”

“All too well,” I sigh. That had been the night he had learned the truth about me and my condition. He’d been seriously hurt and wasn’t going to last long enough for the ambulance to arrive and take him to the hospital, so I’d done to him what I had once done to Richard and a number of others. I’d bitten him and put a bit of myself into him in the process, using my powers and will to keep him alive. This also meant a special mental and emotional bond had been formed between us, one that always allowed me to know if that person was in danger or needed me in some other way. It was a bond that would only be severed when that person passed on. Or so I had always thought.

I looked up at Roscoe who was smiling fondly at me, “News flash! That bond of friendship, doesn’t always end at the grave.”

After several seconds of stunned silence, I breathed the words, “Thank God!” and meant every word.

I could hear Brian starting to make his way back towards us, so I said quickly. “But it only works with the people…”

“You gave a bit of yourself to,” my old friend finishes for me. “The rest are exactly what you thought. Made up from your memories of them. But me and a few others will always be here for you.”

“Thank you,” I reply and give him a huge hug, just before Brian rejoins us.

“I cannot believe you’ve had all these films restored and transferred, without telling me!” my godson exclaims, as he comes over to me. “People have been scouring the world for a complete copy or at least pieces of some of these films, for decades. You have to share these with the world! Do you realize the number of archivists, celebrities, and other important figures who’d come pounding at your door get just a glimpse of some of these?”

To be honest, I’d never really thought about that before. Such an event would certainly bring a lot of people to Pointer. They would need places to stay, eat, and shop, during their visit. And with Pointer’s parks, forests and historic sites, there’d plenty of other things for our visitors to explore.

Such an event could really revitalize the town. I mean I’ve done what I could to improve the community with donations and other events, but this could really put us back on the map.

But simply showing the films, didn’t feel like enough to me. I wanted to give people something more, something special and really memorable…

Just then, out of the corner of my eye, I catch a glimpse of Roscoe and Lisa. He’s teaching her a few of his dance moves from one of his more famous films, “The Cook”. And that gives me an idea…

Clip Courtesy of Wikimedia Commons: Fatty Arbuckle, Public domain, via Wikimedia Commons

TO BE CONCLUDED…

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Merry Christmas Eve…

It’s Christmas Eve, so we’re taking a quick break in our current story to bring you something different.

In the United Kingdom there is a tradition of telling a ghost or creepy story at this time of the year.

And since according to Ancestry.com based on my DNA sample, I am 49% Irish, plus another 22 % English, I feel it only right to continue this tradition.

So, we’re bringing you the audio version of “The Snowman”, complete with imagery, providing a picture book experience, much like I did last year with my unabridged presentation of Charles Dicken’s “A Christmas Carol”.

As many of you will remember, “The Snowman” was written by my wife/co-author Helen for our “The Vampyre Blogs – One Day at a Time” anthology. It was inspired by hearing the song “Frosty the Snowman” one too many times, before deciding to put a bit of a strange unearthly (or Para-Earth-ly) twist on the story…

So without further ado, here is this year’s Christmas story offering…

No doubt, you might be wondering about the opening stating the presentation came from the Library of the Obscure. For those wondering about that, you’ll be seeing and learning more about the library starting next month, so stay tuned.

In the meantime, have a blessed and safe Christmas and hopefully a very wonderful New Year.

Love,

Allan and Helen

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E-Journal of Nathanlie Eoghan Steward October 11, 2018 “GHOSTS” – Part IV

Brian’s eyes find mine, and he smiles. “That’s why you were rushing into some of those burning buildings. You were trying to rescue these.”

“To be honest,” I explain, “I didn’t rush into burning buildings for all of them. A number of those I pulled out of garbage bins, or piles of films that were going to be set on fire. In those cases, I replaced the spools I took with extra copies of other movies, or even blank film so no one would notice they were missing.”

“Wait?” Lisa cries and gives me a puzzled look. “People were burning Roscoe’s films? Was it because of the trial?”

I nod.

“But he was declared innocent!” she protests, while a large man with a huge warm smile on his face quietly appears behind her.

I smile inwardly. It’s always good to see my old buddy, Roscoe.

“You are correct, my child,” Brian beams. “However, the verdict of innocence, came at the end of his third trial.” As he speaks, it’s clear that neither he nor Lisa seem to have taken notice of the famous silent film star, who is currently looking over their shoulders to see which films of his they were holding.

As you can already guess, the fact that they can’t see him comes as no surprise to me. After all, I happen to know Roscoe isn’t a ghost. He’s a mental ‘construct’, so to speak, created by my mind and based on our many years of friendship.

For those not aware, I literally remember everything I’ve ever experienced. Heck, I even have memories of being inside my own mother’s womb, if you can believe it.

And among that mountain of memories is every single person I’ve ever met. Some I met only on rare occasions, or even just once in passing. But I do remember them.

Others, like Roscoe (and a host of others I was really close to), I can remember in complete detail. I can recall their personalities, manner of speaking, all their habits, the works. It’s one of the many gifts my Sangui-Sapio companion has granted me.

And every so often, when I feel really lost or am simply missing one of them, that person will appear to me, just like now.

From my point of view, it’s like they’re in the room with me and we interact as if time had never separated us. I guess the best way to explain it is like having a film projector, in your head. And the film is being shown on a screen inside my eyes, complete with sound, so visually and audibly they appear to be in the same room I’m in. And as is the case right now, my old friends can stand or wander around and even react to any living people who also happen to be in the room. This means I also I get to privately enjoy my old friend’s reactions and antics. However, this occasionally winds up with me reacting and saying or doing things in front of my actual guests which leave them more than a little puzzled at times.

As I stated earlier, my existence tends to be a very strange one sometimes.

Anyhow, I presume my ongoing dilemma of what to run on opening night, and Lisa’s discovery of Roscoe’s ‘lost’ films, is what has generated this impromptu visitation from my old friend. Not that I mind. He may have been known mainly for his comic genius, but like Otto, he was always full of keen insights and good advice.

Meanwhile, Brian continues, “You see, my dear, the first two trials ended with hung juries.”

Immediately, Lisa smacks her forehead while saying, “Which means the accusation was hanging over his head for months.”

“And the newspapers, especially those owned by Randolph Hearst, were dragging his name through the mud the whole time,” Brian adds solemnly.

I watch Roscoe pull out a handkerchief and wipe his brow, muttering, “Pal, you don’t know the half of it.”

Quietly, I sympathize with my old friend. Not a lot of people knew what he went through, but I did. I was there for him the whole time, along with Buster, Roscoe’s nephew Al (St. John), plus a number of others. We all stood by him throughout all three trials. From the beginning to the end, when he was finally exonerated. Yet, in spite of that ruling, which was accompanied by a formal apology prepared by the jury and read out loud by the judge, it had already been too late. Roscoe’s reputation had been irreversibly trashed in the eyes of the public and Hollywood.

No sooner does that thought pass through my mind, Lisa cries out, “Hey, here’s one for the Halloween season. Fatty and the Ghost.”

Immediately, her father leans over to peek and exclaims, “I’ve never heard of that one. Maybe, it’s one of the films that never got to the screen because of the trial. That happened to several others he did. Although, as I recall, some of those did get shown overseas.”

Meanwhile, Lisa is shaking her head. “I don’t think so, dad. Look at the date. This was shot back in 1912, almost 10 years before the scandal.”

Roscoe, who has been looking over their shoulders the whole time, suddenly shoots a devilish smile me and says, “Are you going to tell them, or should I?”

I suppress a smile and explain to the other two, “Portions of that film were only ever shown to a select group of individuals. Namely, those who were involved in the making of it.”

Brian raises on eyebrow as he gives me a curious look. “Your tone of voice tells me you were one of those people who got to see it. May one ask how you were involved in the film?”

Pretending to examine my fingernails, I reply nonchalantly, “Oh, I didn’t do much, just co-starred in it.”

The looks of shock, surprise, and disbelief that flashed across both father and daughter’s faces, accompanied by a healthy dose of stammering and head shaking, prompted Roscoe to stand next to me saying, “Boy, what I wouldn’t give to have caught that all on film. These two would’ve been great in one my movies.”

“I taught them everything they know,” I murmur quietly back at him.

“Yeah, right,” he laughs. “You forget, I’ve seen how many times Lisa has run rings around you. She’s made a monkey out of you so many times, you could audition for the next ‘Planet of the Apes’ movie.”

Now, Roscoe left this world back in 1933. So, the fact he is now making references to movies that were made decades after he passed, were one of those little details that helped me figure out long ago that he (and a number of my other acquaintances from across the years) was a construct made up from my memories.

Or at least that’s what I’ve always told myself. Tonight, however, I was about to find out that there are still more things in heaven and earth than I ever dreamed possible.

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The Artist – August 2007 Part XI The Conclusion

As it turned out, Nathan and I returned to the studio the next evening and indeed the piece was finished. Mind you, we still had to spend most of the night allowing the kiln to cool down before we dared remove my precious art piece from within. I’m pleased to say, it came out perfectly. It was everything I wanted it to be.

“It’s beautiful,” Nathan told me inside our shared space.

“I wouldn’t have been able to finish it without your help,” I replied. “I wish I could thank you properly…”

“How do you mean?” he replied curiously. 

“You know, giving you a huge hug and all that,” I told him, shrugging our shoulders.

Next thing I knew we were face to face again, inside his mind once more. We were surrounded by fleeting images of his memories again, and this time I caught a few glimpses of our working on my sculpture.

Meanwhile, Nathan opened his arms and I quickly did the same.

“Thank you… thank you so much…” I blubbed, feeling tears of actual tears running down my cheeks. Then I pulled back and looked at him and asked, “Why? Why did you do all this, sharing your body with me and all?”

“Because, you asked for my help,” he said simply.

I shook my head eyeing him carefully, “No, there’s more to it than that. You’ve let me inside you, literally, in a way you yourself said you rarely do. So why me?”

All around us the images changed and I saw myself, much younger, eyes wide and frightful. That’s when I got it. “You felt guilty about me seeing what you did to those men, all those years ago,” I breathed.

He nodded. “The look in your eyes whenever we met, I never understood why you looked so troubled and standoffish. I just thought I was just reminding you of what you went through. I’d had no idea you saw…”

I reached up and stroked his face. “Don’t. Neither Brian nor I would be here today if you hadn’t shown up and did what you did.”

“I killed…”

“People who had tortured children and were going to do much worse. Plus, you were already injured and still outnumbered. They pushed you too far and you fought back the only way left to you. Not to save yourself, but to save me, Brian and all those other children. I know that now. I also know you’re a good person, which is why I trusted you enough to accept your offer to help me. And I’m never going to forget it,” I told him.

“Thank you,” he sighed and finally smiled. We hugged again and as we separated, I guess I had a funny expression on my face, because he asked, “What is it?”

“The door between us? You said you could close it when we were done, but… would please leave it open, just a crack? Please?” I asked hopefully.
“Is that what you want?”

I nodded.

He smiled. “Always.”

I hugged him again and soon after I found myself back in my body in my hospital room. No one was there, but I didn’t feel alone. I could still feel Nathan, and that made it easier for me to rest.

All of this happened about two months ago, and I can still feel his presence even when he’s not around. But, tonight I can see as well as feel him. Here at my exhibition, he’s been making the rounds, but was close by when it came time to unveil my piece. My jaw and hands are still healing, although I can actually talk again. As for the hands, they’ve responded well to the surgeries and I’m even using clay as part of my therapy to build up strength in them again. But now I know for sure I’ll be able to keep making works of art and beauty once more.

As you can expect, my mom burst into tears of joy when she saw it. She hugged me, carefully of course, since I’m still healing. Still it was so worth it. She could barely speak, she was so moved, but her eyes and smile spoke louder than the entire New York Philharmonic symphony blasting the 1812 overture. 

I briefly wondered if Nathan was feeling what I was experiencing, then saw the huge smile on his face across the room. Brian and his family were with them, as well as Jack’s. They’re part of what Nathan calls his “extended” family, and now I am too…

“And always will be…” I hear in my head. 

“Back at you,” I reply through our link, and he smiles.

  • THE END

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The Artist – August 2009 Part II

The piece in question was a full-bodied statue of my mom’s father who had passed away the year before at the age of 107. And believe me the man had led an impressive life having served not only in WWI but also WWII. Now some of you who know me might be thinking ‘Wait, I know you’re like only 29. So just how old was he when your mom was born?’ Well my mom was from his second marriage in 1948. My grandmother was younger than him and gave birth to my mom seven years later.

Now, getting back to the sculpture, when I say full-bodied I don’t mean it was man-sized. It was only  between 18″ and 24″ inches in height. I had thought about doing a bust, but she had always been proud of the fact that he had served in both world wars. But it was his service in World War I that she had always impressed her the most. Seeing photos of him in his uniform back then, so young and full of hope and purpose, had really made her see him in a different light. 

I know he saw a lot back in the Great War, as they originally called it, but what always impressed me the most about him was the fact that he enlisted again when the Second World War began. He once told us that part of the reason he did was because he knew a lot of young men who weren’t prepared for what they might face. He himself had barely been sixteen when he’d enlisted, lying about his age to be accepted at the recruiting office. And as I said, he saw a lot. He was wounded more than once too and was involved in some of the more famous and fiercest battles including the Hundred Day Offensive.

Looking back, I think that may have actually been the real reason why I chose to put him in his first uniform. Seeing photos of that fresh-faced innocent who would face horrors time and again, and still be willing to help others face new ones, really helped me understand the man I knew and loved.

Anyway, having a specific image in mind I got work in my studio and began the project.

I was well into the sculpt, having already gotten the shape and pose just right, when a prominent gallery wanted to showcase my work. The timing could not have been better. The date set for the opening would be just perfect to unveil my grandfather’s likeness before my mother, our friends, and so many others. Needless to say I went back to the piece with even more enthusiasm. I was calling upon every technique I could think of get everything just right and it was paying off.

Hour by hour, I could see my grandfather’s spirit taking shape in the piece. I was so pleased that I didn’t care if I never made anything as close to perfect as it. But there was still a lot to do when I left my studio that afternoon. As much as I wanted to keep working, I had to get downtown and meet with a gallery owner (not the one who was going to hold the exhibition). I remember putting the plastic over my work in progress to keep it moist, silently promising I’d be back soon. Only I wasn’t.

In fact it would be weeks, and merely days before the exhibit, before I’d step foot inside that studio again… at least physically.

TO BE CONTINUED…